In this lesson we look at how you can use a different method for counting 16th notes while playing funky riffs. This especially works for rhythms based on implied polyrhythmic groupings of 3

What Are Polyrhythms?

Polyrhythms occur when more than one type of rhythm is played at the same time. If you try to break a polyrhythm down by counting the subdivisions of the original time signature, it will be like trying to fit a square peg into a round

hole. Instead, the second rhythm needs to be broken down and analysed to see where the groupings are. Today, we are going to break down a popular funk groove in order to see the polyrhythm and use it to feel where the main accents lie.

The riff we are going to use is in the key of D major and is based around a D7 chord.

D  F#  A   C
1    3    5   b7

The line also makes good use of chromatic notes by using them to walk back to the root.

Steps To Working Out The Polyrhythm

  • Subdivide the rhythm and pick out the accents

(1) e + (a) 2 e (+) a 

  • Substitute ‘1e+a’ for numbers

(1) 2 3 (4) 1 2 (3) 4

  • Group numbers into threes instead of fours

(1) 2 3 (1) 2 3 (1) 2

Now you should have a better understanding of how the first half of bar 1 sounds as you no longer need to place accents on unusual beats. Instead, you can simply count in groups of twos and threes so the accent always lands on the 1.

Remember to LEAVE A COMMENT BELOW, SHARE THE POST (just click on your preferred social platform below) and then …

Sign Up To Talkingbass For FREE!

Join over 100,000 members and R.A.I.S.E your Bass Game Today!

Complete Social Network (Facebook For Bass!) FREE Ebook Downloads, Practice Tracks, Drum Tracks and MUCH MORE!

Join Now