Joe Dart is a modern day bass phenom. His fingerstyle funk bass grooves are at the heart of the Vulfpeck sound and Dean Town is the MUST KNOW bass line of the modern era in much the same way that Teen Town has been a bass players rite of passage since the original Jaco Pastorius recording with Weather Report in 1977.
In this lesson I’ll be breaking down and showing you how to play Dean Town bass line. I’ll also be giving tips on how to approach learning the entire ‘melody’ section by way of ‘chunking’.
Dean Town Bass Lesson and Tab
The main intro bass line is actually a relatively straightforward pedalling bass on root notes – which I introduce here so you get a flavour for the chord change you’ll be playing along too, as well as the speed and general tonality. What you might find tricky even here is the speed and consistency of those notes. It’s important to relax your hand as much as possible to keep your stamina up. And with the constant run of sixteenth notes, you might want to use one of the slower backing tracks first to get used to moving your fingers in the right rhythm before working up to full speed.
Of course, where the track gets really interesting is Joe D’art’s splendid solo part that characterises the track. Essentially this is an F# minor Dorian scale, which I’ve written as A major.
The main thing about Dean Town’s bassline is that it sounds more improvised than anything else with very little repetition – meaning it is a relatively long piece to learn. I find the only way to approach lines like this is to break them into shorter, more manageable chunks. There are lots of ways to play the notes, so I’ve tried to find the way that minimises hand movement and allows you to relax. Notice also the picking style: you’re looking to get very staccato notes to get the right funky feel.
There are lots of grace notes and little chordal features, and I’m afraid the only way to learn this piece is to work through it piece by piece. Hard work, but rewarding!
Practice Tracks:
78bpm:
88bpm:
98bpm:
108bpm:


My new favourite! Mark always explains everything so thoroughly and clearly. Thank you, Mark!
This is so bloody hard.
Merci mark ! c’est cool
It’s as tough as Teen Town which remains ‘a hard one to play’ as Frank Zappa used to say. There’s no short cuts. Have to play it piece by piece over and over again ubtil you nail it. The road to paradise is paradise. It’s fun to crack it. The past is history the future a mistery the now a gift which is why it’s called the present. Enjoy playing it. . Thanks Mark and Talking Bass.
This is awesome! I have had to slow down the video sometimes to 75% and 50%, and I have been listening over and over again, lol! But not matter how long it takes I am going to learn it, and a little theory too. Thanks Mark and Talkingbass.net!
just learnt this and i’m vibing :)
This has taken me weeks… have been chipping away at it slowly.
Thanks for this, must have taken forever to put together. Incredibly useful resource!
Right, back to the Scales Essentials course for me then…
More Vulfpeck please!
Had as much fun learning this as when I first tried learning Mark King lines 40 years ago! Broke the back of it in a day, but will take many more days (weeks? months?) to get it clean. Right at the moment my fingers are so sore I may have to give it a rest for a couple of days. Oddly the most difficult bit for me is transferring from the multiple B’s at the beginning into the two note bridge into the main riff. You probably mention it on your website proper, but my trick is to stop hard on the 14th B (on the count of 4 if you’re playing 16ths) and leave a one-note gap. When you feel you’ve cracked it, drop in that extra note.
The only thing is that I find at my age I have to relearn it every day…
Great lesson, thanks! But SoundCloud tracks are not available
The links are right there, embedded below the video. If you are being sent to Soundcloud then your browser is blocking the track embed. You shouldn’t be sent to Soundcloud. It should play right there on the page
Thanks Mark you opened my eyes, your breakdowns are a tremendous help. Makes it simple! Thanks.
I think there is a notation error regarding the ghost note in the second C#m7 bar. It should come after the B, not before… But I seem to have been playing these lines with different fingering, thanks for this breakdown, this will help getting to the 108BPM
Rather than just some U-tube gimmick to massage somebody’s ego, I’m so pleased you’ve taken the time to break it all down, so even the ‘not so fast fingered’ or amazing bass players can have a go. You’ve levelled the playing field, which, for me, shows a brilliant teacher… thank-you Mark.
Amazing class!!!!! Congratulations on teaching and thank you for existing!!!!
You saved me a lot of time, it’s great ear training figuring it out yourself, but it’s nice to use your vid to hear where I went wrong, thank you!
you are a gift to us all man! THANK YOUUUUUUUU. i dont know where we would all be without you mark!!
Ah! Thanks. As a relative novice, I was struggling to understand what key this was in. Everybody else seems to write four sharps, but E and C#m both make no sense at all. Writing three sharps immediately suggests F#m and explicitly raising the sixth to spell out dorian is much more logical.